Tjunkaya Tapaya is part of the art centre Ernabella Arts.

Tjunkaya grew up at the Ernabella Mission. In mission days, the building which is now the art centre was originally used as a food hall by the missionaries. In 1948 it became the Craft Room, where the first work was made by women, spinning wool and rug making. Most of the senior artists paintng on the APY Lands today have passed through this building across more than one of its incarnations. 

Tjunkaya began work in the Craft Room making weavings, later excelling in the medium of batik, and became one of the outstanding artists with work in several public collections. Her work was featured on the cover of Judith Ryan’s ‘Across the Desert: Aboriginal Batik from Central Australia.’ 

Tjunkaya also works in ceramics, tjanpi, punu (wood), print making, spinning and mukata (beanie) making and her work in these mediums has been seen in numerous exhibitions in Australia and internationally and in public and private galleries since 1971. Her works are held in many national and international collections, including the National Museum of Scotland, National Museum of Australia, National Gallery of Australia and the Museum of Ethnology, Osaka. 

Since 2015, Tjunkaya has chosen to concentrate on painting, ceramics and tjanpi sculpture. This focus has seen her become one of the most in demand female artists on the APY Lands and increasingly recognised in these mediums. In 2010 and 2011 she was collected by Artbank, and in 2011 and 2012 selected as a finalist in the Togart Contemporary Art Award. In 2012 her tjulpu (bird) tjanpi sculptures were selected for exhibition in the National Aboriginal and Torres Strait Islander Art Awards (NATSIA, the Telstras). 2011 marked the commencement of Tjunkaya’s 5th decade of working at Ernabella Arts. Her first solo show was in 2012 at Alcaston Gallery in Melbourne, where Tjunkaya exhibited a mix of paintings and tjanpi sculpture. In 2021 Tjunkaya’s ceramic was a finalist in the NATSIA Awards. 

Tjunkaya has been on the Board and the Deputy Chair of Ernabella Arts, and the leader of the Nintintjaku Project, an inter generational teaching project working with Ernabella Anangu School and the Ernabella NPY youth team. Tjunkaya is also a prolific writer in Pitjantjatjara. She is currently developing a bi-lingual children’s book. She has essays published in a number of exhibition catalogues, including the Desert Mob 2017 and the the 2017 Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art. 

In 2016 Tjunkaya took part in a collaborative project, a tjanpi (woven) sculpture called Minyma Tjirilyanya Ngaltujara Pikatjara (Echidna Woman Hurt and Sick). This tells an ancient story of the Echidna Woman. This work was listed as a finalist in the National Aboriginal and Torres Strait Islander Award. 

In 2018 Tjunkaya’s life’s work as a representative for her people, an artist and a writer was recognised and she received the Gladys Elphick Award for Lifetime Achievement. 

In 2020 Tjunkaya was awarded an Order of Australia, General Division in the Queen’s Birthday Honours.

Collections:

  • Museum of Ethnology, Osaka, Japan
  • National Museum of Scotland, UK
  • National Gallery of Australia, ACT
  • National Gallery of Victoria, VIC
  • National Museum of Australia, ACT
  • Queensland Art Gallery, QLD
  • Art Gallery of South Australia, SA
  • Araluen Arts Centre, NT
  • Artbank, VIC

Solo exhibitions:

  • 2021 Sabbia Gallery, Sydney, NSW – Kungkarangkalpa: Seven Sisters
  • 2012 Alcaston Gallery, Melbourne VIC – Nintinjaku – teaching, showing, passing on

Selected Group exhibitions:

Awards:

  • 2022 Finalist, National Aboriginal and Torres Strait Islander Art Award
  • 2021 Finalist, National Aboriginal and Torres Strait Islander Art Award
  • 2018 Perpetual Gladys Elphick Award (lifetime achievement)
  • 2016 Finalist (collaborative), National Aboriginal and Torres Strait Islander Art Award
  • 2009 Me and My Toyota Art Prize – Toyota Australia

 

 

SOURCE: Ernabella Arts.